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=09=09<plimb@library.uwa.edu.au> _IRIS: a Journal of theory on image and sound/Revue de theorie de l'image et du son_* No.18 (http://www.arcade.uiowa.edu/proj/film/) =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D= =3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D TABLE OF CONTENTS "NEW DISCOURSES OF AFRICAN CINEMA=3D NOUVEAUX DISCOURS DU CINEMA AFRICAIN" Introduction N. Frank Ukadike, pp.3-6. Articles Brian Goldfarb, "A Pedagogical Cinema: Development Theory, Colonialism, and Post-Liberation African Film," pp. 7-24. Jude Akudinobi, "Tradition/Modernity and the Discourse of African Cinema", pp. 25-38. Michel Serceau, "Le cinema d'Afrique noire francophone face au mod=E8le occidental: la rancon du refus," pp.39-46. Bruno Tackels, "O=F9 va le m=E9tis", pp. 47-60. Keyan Tomaselli and Maureen Eke, "Secondary Orality in South African Film", pp. 61-70. Onookome Okome, "Cinema and Social Change in Nigeria: the Political Imperative", pp. 71-80. N. Frank Ukadike, "The Other Voices of Documentary: Allah Tantou and *Afrique, je te plumerai*", pp. 81-94. Richard Porton, "*Hyenas*: Between Anti-Colonialism and the Critique of Modernity", pp. 95-104. J.R. Rayfield, "*Hy=E8nes*: comment trouver le message?", pp. 105-112. Dudley Andrew, "Falaises sacr=E9es et espaces communs", pp.113-124. Philip Gentile, "In the Midst of Secrets: Souleymane Ciss=E9's *Yeelen= *", pp.125-136. Sheila Petty, "Miseria: Towards an African Feminist Framework of Analysis", pp.137-146. Ken Harrow, "*Camp de Thiaroye*: Who's That Hiding in Those Tanks, and How Come We Can't See Their Faces?", pp. 147-152. Comptes-rendus / Book reviews Eric Porter Sheila Petty Lee Freeman Frank Kessler Scott Curtis N. Frank Ukadike
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